SARAH ROBINSON
  • HOME
  • ABOUT
  • Recent Projects
  • RISING FUTURES
  • SEVEN FORMS (COLLIE '22)
  • ARCHIVED PROJECTS
    • TRANSMEDIAL
    • Potentially Dangerous
    • Talking Place: Emerging Connections
    • Talking Place: Unfolding Conversations
    • Thresholds and Thoughtscapes
    • Imperceptible Realities
    • InConversation
    • Eyes Open (i) Drawing in The Dark
  • Destabilising Walls
  • RESEARCH OUTPUTS
  • ACADEMIC CV
  • CONTACT
  • Talking Place: Unfolding Conversations
  • Talking Place: Unfolding Conversations
  • Talking Place: Unfolding Conversations

   Research Outputs

Publications
2022  Lukowska, Monika, & Sarah Robinson. 2022. "Transmedial Aesthetics: Printmaking
          Re-forms Senses in a Technological World." 
          The International Journal of New Media, Technology and the Arts 16 (1): 21-32.
          doi:10.18848/2326-9987/CGP/v16i01/21-32.
2019   Lukowska, M., Nykiel, A., Robinson, S., Whelan, J. (2019). Talking Place:
           
Unfolding Conversations. Exhibition catalogue, ISBN: 978-0-485071-4-7 
2019   Lukowska, M. & Robinson, S. (2019, March). Bringing the World to its 
           
Senses. Imprint, 54(1), 9–12.
2019   Robinson, S. (2019, February). Non-Toxic Printmaking and Digital Methods.
           Grabado Y Edición / Print and Art Edition Magazine, 62, 56–68. 
2018   Robinson, S. (2018). Bothersome Possibilities in Using 3D Print to Copy the
           
Past. IMPACT10, International Printmaking Conference, Spain. 
2018   Nykiel, A., Robinson, S., (2018). Destabilising Walls. Exhibition catalogue.
           ISBN: 978-0-6482316-7-7
2017   Nykiel, A., Robinson, S., Whelan, J. (2017). Thresholds and Thoughtscapes.
           
Exhibition catalogue. ISBN:978-0-9946186-6-5 
2017   Robinson, S. (2017). Imperceptible Realities: An exhibition – and –
           Digitalisation: Re-imaging the real beyond notions of the original and the
           copy in contemporary printmaking: An exegesis. Retrieved from
           https://ro.ecu.edu.au/theses/1981 
 
2013   Robinson, S. (2013). Rhizome: Non-toxic Printmaking from the Studio to the
           Digital Cloud and Back,
 ACUADS Conference 2013: Locations of Practice,
           Sites for Creativity from the Studio to the Cloud, Sydney. http://acuads.
           com.au/conference/article/rhizome-non-toxic-printmaking-from-the-studio-to-
            the digital- cloud-and-back/ 

2011    Robinson, S. (2011). International Artists in Print: at Spectrum Project Space.
            IMPRINT,46, 4, pp.22-23.

Online
2018    Lukowska, M. & Robinson, S. (2018). ‘Reiterated Instant’ an exhibition by
            artist Vanessa Wallace
. In discussion with the artist and The Lobby gallery
            director Leah Robbie. https://www.printcouncil.org.au/reiterated-instant/
2017    Robinson. S. (2017). Navigating Peripheral Spaces: Digital, Spitbite and the
            Intangible Printed Mark, Common Ground, Curve Gallery, NSW, IMPRINT
          
  Blog.

Conference Proceedings 
2022  Lukowska, M., Robinson, S., TRANSMEDIAL: Tracking the Intersections Between Print, Technology and Science, 
          IMPACT 12,  International Printmaking Conference, UWE, UK
2021  Lukowska, M., Nykiel, A., Robinson, S., Whelan, J. 
          Ta(l)king Place: Material Evidence of Place Amongst New Terrain,
          The Arts in Society, Conference, 16-18 June 2021
2015   Robinson, S. (2015). Neolife: Representing extinct life through 3D print: A
​           contemporary arts practice re-invents a life of a Crangonyctoid cave shrimp.
        
   SymbioticA Neolife 2015 SLSA (Society for Literature, Science & the Arts)
           conference, Perth.

2015   Robinson, S. (2015). Neolife: Representing extinct life through 3D print: A
           contemporary arts practice re-invents a life of a Crangonyctoid cave shrimp.
          
 Edith Cowan University Research Week 2015: The Pursuit of Knowledge
           Under Difficulties: Understanding the Importance of Process for Practice-led
           Research, Mt Lawley.

2014   Robinson, S. (2014). Drawing in the dark yet I still had my eyes closed--
           What we may believe to be real or not: From Plato’s Cave to contemporary
           3D prin
t. Edith Cowan University, Centre For Research in Entertainments,
           Arts, Technology, Education and Communications (CREATEC) Colloquium,
           Mt Lawley.

2014  Robinson, S. (2014). Becomings Forum. Becomings Forum (Natural World). 
          https://www.youtube.com/watch?v=5u2OnTt0WNA
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  • HOME
  • ABOUT
  • Recent Projects
  • RISING FUTURES
  • SEVEN FORMS (COLLIE '22)
  • ARCHIVED PROJECTS
    • TRANSMEDIAL
    • Potentially Dangerous
    • Talking Place: Emerging Connections
    • Talking Place: Unfolding Conversations
    • Thresholds and Thoughtscapes
    • Imperceptible Realities
    • InConversation
    • Eyes Open (i) Drawing in The Dark
  • Destabilising Walls
  • RESEARCH OUTPUTS
  • ACADEMIC CV
  • CONTACT
  • Talking Place: Unfolding Conversations
  • Talking Place: Unfolding Conversations
  • Talking Place: Unfolding Conversations