Publications
2022 Lukowska, Monika, & Sarah Robinson. 2022. "Transmedial Aesthetics: Printmaking
Re-forms Senses in a Technological World."
The International Journal of New Media, Technology and the Arts 16 (1): 21-32.
doi:10.18848/2326-9987/CGP/v16i01/21-32.
2019 Lukowska, M., Nykiel, A., Robinson, S., Whelan, J. (2019). Talking Place:
Unfolding Conversations. Exhibition catalogue, ISBN: 978-0-485071-4-7
2019 Lukowska, M. & Robinson, S. (2019, March). Bringing the World to its
Senses. Imprint, 54(1), 9–12.
2019 Robinson, S. (2019, February). Non-Toxic Printmaking and Digital Methods.
Grabado Y Edición / Print and Art Edition Magazine, 62, 56–68.
2018 Robinson, S. (2018). Bothersome Possibilities in Using 3D Print to Copy the
Past. IMPACT10, International Printmaking Conference, Spain.
2018 Nykiel, A., Robinson, S., (2018). Destabilising Walls. Exhibition catalogue.
ISBN: 978-0-6482316-7-7
2017 Nykiel, A., Robinson, S., Whelan, J. (2017). Thresholds and Thoughtscapes.
Exhibition catalogue. ISBN:978-0-9946186-6-5
2017 Robinson, S. (2017). Imperceptible Realities: An exhibition – and –
Digitalisation: Re-imaging the real beyond notions of the original and the
copy in contemporary printmaking: An exegesis. Retrieved from
https://ro.ecu.edu.au/theses/1981
2013 Robinson, S. (2013). Rhizome: Non-toxic Printmaking from the Studio to the
Digital Cloud and Back, ACUADS Conference 2013: Locations of Practice,
Sites for Creativity from the Studio to the Cloud, Sydney. http://acuads.
com.au/conference/article/rhizome-non-toxic-printmaking-from-the-studio-to-
the digital- cloud-and-back/
2011 Robinson, S. (2011). International Artists in Print: at Spectrum Project Space.
IMPRINT,46, 4, pp.22-23.
Online
2018 Lukowska, M. & Robinson, S. (2018). ‘Reiterated Instant’ an exhibition by
artist Vanessa Wallace. In discussion with the artist and The Lobby gallery
director Leah Robbie. https://www.printcouncil.org.au/reiterated-instant/
2017 Robinson. S. (2017). Navigating Peripheral Spaces: Digital, Spitbite and the
Intangible Printed Mark, Common Ground, Curve Gallery, NSW, IMPRINT
Blog.
Conference Proceedings
2022 Lukowska, M., Robinson, S., TRANSMEDIAL: Tracking the Intersections Between Print, Technology and Science,
IMPACT 12, International Printmaking Conference, UWE, UK
2021 Lukowska, M., Nykiel, A., Robinson, S., Whelan, J.
Ta(l)king Place: Material Evidence of Place Amongst New Terrain,
The Arts in Society, Conference, 16-18 June 2021
2015 Robinson, S. (2015). Neolife: Representing extinct life through 3D print: A
contemporary arts practice re-invents a life of a Crangonyctoid cave shrimp.
SymbioticA Neolife 2015 SLSA (Society for Literature, Science & the Arts)
conference, Perth.
2015 Robinson, S. (2015). Neolife: Representing extinct life through 3D print: A
contemporary arts practice re-invents a life of a Crangonyctoid cave shrimp.
Edith Cowan University Research Week 2015: The Pursuit of Knowledge
Under Difficulties: Understanding the Importance of Process for Practice-led
Research, Mt Lawley.
2014 Robinson, S. (2014). Drawing in the dark yet I still had my eyes closed--
What we may believe to be real or not: From Plato’s Cave to contemporary
3D print. Edith Cowan University, Centre For Research in Entertainments,
Arts, Technology, Education and Communications (CREATEC) Colloquium,
Mt Lawley.
2014 Robinson, S. (2014). Becomings Forum. Becomings Forum (Natural World).
https://www.youtube.com/watch?v=5u2OnTt0WNA
2022 Lukowska, Monika, & Sarah Robinson. 2022. "Transmedial Aesthetics: Printmaking
Re-forms Senses in a Technological World."
The International Journal of New Media, Technology and the Arts 16 (1): 21-32.
doi:10.18848/2326-9987/CGP/v16i01/21-32.
2019 Lukowska, M., Nykiel, A., Robinson, S., Whelan, J. (2019). Talking Place:
Unfolding Conversations. Exhibition catalogue, ISBN: 978-0-485071-4-7
2019 Lukowska, M. & Robinson, S. (2019, March). Bringing the World to its
Senses. Imprint, 54(1), 9–12.
2019 Robinson, S. (2019, February). Non-Toxic Printmaking and Digital Methods.
Grabado Y Edición / Print and Art Edition Magazine, 62, 56–68.
2018 Robinson, S. (2018). Bothersome Possibilities in Using 3D Print to Copy the
Past. IMPACT10, International Printmaking Conference, Spain.
2018 Nykiel, A., Robinson, S., (2018). Destabilising Walls. Exhibition catalogue.
ISBN: 978-0-6482316-7-7
2017 Nykiel, A., Robinson, S., Whelan, J. (2017). Thresholds and Thoughtscapes.
Exhibition catalogue. ISBN:978-0-9946186-6-5
2017 Robinson, S. (2017). Imperceptible Realities: An exhibition – and –
Digitalisation: Re-imaging the real beyond notions of the original and the
copy in contemporary printmaking: An exegesis. Retrieved from
https://ro.ecu.edu.au/theses/1981
2013 Robinson, S. (2013). Rhizome: Non-toxic Printmaking from the Studio to the
Digital Cloud and Back, ACUADS Conference 2013: Locations of Practice,
Sites for Creativity from the Studio to the Cloud, Sydney. http://acuads.
com.au/conference/article/rhizome-non-toxic-printmaking-from-the-studio-to-
the digital- cloud-and-back/
2011 Robinson, S. (2011). International Artists in Print: at Spectrum Project Space.
IMPRINT,46, 4, pp.22-23.
Online
2018 Lukowska, M. & Robinson, S. (2018). ‘Reiterated Instant’ an exhibition by
artist Vanessa Wallace. In discussion with the artist and The Lobby gallery
director Leah Robbie. https://www.printcouncil.org.au/reiterated-instant/
2017 Robinson. S. (2017). Navigating Peripheral Spaces: Digital, Spitbite and the
Intangible Printed Mark, Common Ground, Curve Gallery, NSW, IMPRINT
Blog.
Conference Proceedings
2022 Lukowska, M., Robinson, S., TRANSMEDIAL: Tracking the Intersections Between Print, Technology and Science,
IMPACT 12, International Printmaking Conference, UWE, UK
2021 Lukowska, M., Nykiel, A., Robinson, S., Whelan, J.
Ta(l)king Place: Material Evidence of Place Amongst New Terrain,
The Arts in Society, Conference, 16-18 June 2021
2015 Robinson, S. (2015). Neolife: Representing extinct life through 3D print: A
contemporary arts practice re-invents a life of a Crangonyctoid cave shrimp.
SymbioticA Neolife 2015 SLSA (Society for Literature, Science & the Arts)
conference, Perth.
2015 Robinson, S. (2015). Neolife: Representing extinct life through 3D print: A
contemporary arts practice re-invents a life of a Crangonyctoid cave shrimp.
Edith Cowan University Research Week 2015: The Pursuit of Knowledge
Under Difficulties: Understanding the Importance of Process for Practice-led
Research, Mt Lawley.
2014 Robinson, S. (2014). Drawing in the dark yet I still had my eyes closed--
What we may believe to be real or not: From Plato’s Cave to contemporary
3D print. Edith Cowan University, Centre For Research in Entertainments,
Arts, Technology, Education and Communications (CREATEC) Colloquium,
Mt Lawley.
2014 Robinson, S. (2014). Becomings Forum. Becomings Forum (Natural World).
https://www.youtube.com/watch?v=5u2OnTt0WNA